The Damned - Evil Spirits (2018)

New album of the legends

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Jagatara ‎– Best Of Jagatara - 西暦2000年分の反省 (1999)

Jagatara was a Japanese band centered on Edo Akemi. They are renowned for their unique sound, which has been described as a mixture of rock, especially punk, funk and reggae.

The band formed in March, 1979, and released their first album 'Nanban Torai' 「南蛮渡来」in 1982. Their multi-musical approach resulted in collaborations with differing artists from around the world, such as Mute Beat, John Zorn, and Mahotella Queens. On January 27, 1990, Edo died, and the band broke up shortly after. Since that time there has been an annual concert held by the Shinjuku loft venue in honour of the band, featuring numerous guest musicians performing Jagatara songs.

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The Mods ‎– Blue (Midnight Highway)

Japanese punk band from Hakata, Kyushu. Formed in 1976.
Previously called 開戦前夜 ~ The Mozz from 1973 to 1975.
One of the main and the most successful bands out of the late '70s to '80s 'Mentai-Rock' scene in the Hakata area.

http://depositfiles.com/files/g7cqwr0tl

The Ex ‎– 27 Passports (2018)

Dutch band The Ex formed in 1979 and were initially known as an anarcho-punk band. Since, they have released over 20 full-length albums of musical experiments and numerous collaborations blending punk and free jazz with styles of folk music from all over the world. "We always start from zero when we make a new album. We enter the rehearsal room with a few loose ideas, a riff or a beat and see what happens. There is always the risk that it doesn't work out. That risk is part of our music and of our lives." - The Ex. With the unmistakable "Ex energy". the three-pronged guitar approach is still as exciting as ever, with the guitars of Andy Moor, Terrie Hessels and Arnold de Boer creating tense, interlocking webs of connections, and drummer Katherina Bornefeld pushing the band with dancing, hypnotic patterns. There are some remnants of their African adventures (with Ethiopian legend Getatchew Mekuria) , but most of all, this is a return to the power of The Ex as a unit that effortlessly juggles noisy/disjointed guitar parts, trance-like grooves, defiant chanting and a relentless, infectious drive.

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