Twice a Man - The Sound of a Goat in a Room (1983)

Excellent second album of dark, experimental, synth-based new wave from this longstanding Swedish duo. Some songs are ready for a goth night dance floor, but most are better suited for solitary drug use.

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Oppenheimer Analysis - New Mexico (1982)

Truly phenomenal English synthpop/minimal wave. Really, some of the best of its kind. For fans of minimal wave and DIY electronic pop.

Oppenheimer Analysis formed in London, England in 1982 by Andy Oppenheimer and Martin Lloyd. Their first meeting though was at the 1979 World Science Fiction Convention in Brighton. They quickly became good friends, sharing an interest in the work of David Bowie, electronic music and early synthesizer bands such as the Human League and Soft Cell. They also shared a love of old science fiction movies, 1950s graphics and comic book imagery and a fascination with post-World War II propaganda, the politics and aesthetics of the Cold War, and the social impact of the atomic bomb. Over the next few years Andy and Martin frequented the growing club scene, including Studio 21 on Oxford Street, and became involved in the developing Futurist and New Romantic style sub-cultures. During this period Martin recorded as Analysis, both alone and with David Rome of Drinking Electricity. They released their first single, “Surface Tension/Connections” on David’s Survival label in 1981. In 1982, Oppenheimer Analysis began writing and recording together at Feedback Studio in Battersea, and performed several times at The Bell, Islington, the 1983 World David Bowie Convention in Hammersmith, the Starzone Birthday Party at Camden Palace, the 1984 European Science Fiction Convention in Brighton and other live venues. Their first demo tape and twelve song “New Mexico” cassette were sold at gigs and by mail-order, and were reviewed in Melody Maker, Sounds and Soundmaker. For the years to follow, Oppenheimer Analysis became recognized among electro-music aficionados as a pioneering duo who influenced countless other bands during the club and home-recording era of the early 1980s and beyond. Their cassettes became massively collectible. In 2005 they re-formed with the release of a self-titled four song 12” EP of selections from the New Mexico cassette, including “Cold War” and “The Devil’s Dancers”.

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M - The Official Secrets Act (1980)

English new wave/synthpop from English musician Robin Scott. Fun, bouncy, whimsical-sounding songs with angry, politically-charged concerns.

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Aerial FX — Same River Twice 80-84 (2010, compilation)

In the early ‘80s, a five-piece band based out of Oxford dramatically changed their sound to meld with the surging new wave movement. They adopted the name Aerial FX, releasing two singles and one full album before their abrupt disbandment in the middle of the decade. Now, 25 years later, a full album’s worth of Aerial FX music has surfaced – Same River Twice. With 12 songs that have never seen the light of day until now, Aerial FX’s commemoration will make listeners yearn for a return to the days of new wave with its unabashed upbeat mood and lyrics.

Same River Twice is a fantastic flashback to the ‘80s new wave genre, filled with poppy dance numbers, catchy grooves, and a great rock sound. Sultry, melancholy vocals trade off with light and romantic ones. From the opening track of “Hold Me” through the ending track of “Make It for You (12” Version),” Aerial FX flaunts the genre outstandingly. Guitars collide with synth, from “Heatwave” to “Where Is Tomorrow” to “I See Changes.” However, while the music is very nostalgic and very enjoyable, this is by no means an outstanding album. It fits the mold of the genre for the time, doing all the right things in all the right places, but Aerial FX doesn’t jump out the way that artists such as New Order or Joy Division did. In fact, Aerial FX sounds very reminiscent of these bands and more, making them more of a mirror for the time.

Same River Twice is a solid album and a great reminder of 25 years ago. However, it is a repeat journey, as the album title implies, down the same river as many other bands. Aerial FX is a way to reminisce on the good old days as much as possible.

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Batfish Boys - Head (1986)

'Head' is the second album of The Batfish Boys. Less postpunk, more straight forward rock. Some people prefer this album than the first one and vice versa. Here's your chance to decide for yourself.

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Batfish Boys - The Gods Hate Kansas (1985)

When singer Simon Denbigh was booted from March Violets, he wasted little time in assembling a more conducive outfit. On The Gods Hate Kansas, the Batfish Boys take the Violets' dark post-punk and give it a traditional rock setting. Several of the best moments ("The Tumbleweed Thing," "Mrs. Triffid" and the terrific single, "Swamp Liquor") are reminiscent of the Cramps or Gun Club, utilizing creepy, twanging riffs and Denbigh's weird, roughly grumbled lyrics to create a bluesy, desolate atmosphere.

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Sisters Of Mercy - Some Girls Wander by Mistake (compilation, 1992)

Collection of all five early seven inch and twelve inch singles, both a and B-sides, released between 1980-1983 before the band signed to a major label. 19 tracks including the extremely rare 'The Damage Done', 'Watch' and 'Home of the Hit-Men', as well as the original extended version of 'Temple of Love', their covers of the Rolling Stones' 'Gimme Shelter' and the Stooges' '1969', plus 'Alice', 'Kiss the Carpet', 'Valentine', 'Floorshow', 'Phantom' and more.

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